WORDS FROM THE WELL!

From the Decor Conference:
The Art We Display

Response #329 (caseyell) Thursday, August 8, 2002

 you know that old saw about being friends with someone for years and
 then one day you look into his/her eyes and, Wham!, you're in love?
 
 well, that happened to me in Vancouver last week-end, although my
 new-found passion is for a man's paintings rather than for the man
 himself.
 
 Deep in the loveliest part of the Dordogne is an inn run by a fabulous
 former fashion photographer named Georges Dambier. We have stayed
 there three times and I love everything about the place, from Baghdad
 Cafe, the resident chien, to the decor, a blend of local antiques and
 contemporary art. But although I always appreciated the overall look, I
 never really yearned to own any of the art: mostly still-life
 lithographs, signed with personal dedications to Georges. 
 
 The, last Saturday, I walked into the Buschler Mowatt Gallery, saw a
 massive oil painting across an uncrowded room and lost my heart. This
 was unexpected: My heart generally beats faster in the presence of
 Early California landscapes or massive portraits by Sargent. If I had
 an extra $600,000 lying around, I know just the Wayne Thibaud oil I'd
 buy at Hackett-Freedman, and I'd sell my soul for that small Manet
 painting of white asparagusif the D'Orsay ever decides to part with it.
 But a huge, nearly abstract study of a vase of flowers done in
 taxi-cab yellow and black? Not likely, I'd have said. I'd have been
 wrong.
 
 Seems Georges's friend, the painter Bernard Cathelin, is a well-known
 member of the Ecole de Paris. He studied with Matisse. He was the
 subject of a major retrospective show at the Orangerie earlier this
 summer. He's 84 years old and still painting vigorously: the work I
 loved in the gallery was done just last year.
 
 I have neither the wall space nor the art budget for one of his oils,
 but the gallery also carries his lithographs -- which are exquisitely
 done on Japanese rice paper. J and I bought one (another black and
 yellow floral still life) as an anniversary gift to each other and then
 Jack bought me a second (a very understated gray and white study of
 roses in a vase)as a "sorry you didn't get to paris and st. petersburg"
 gift. I *danced* out of that gallery--and am now at that delicious
 stage of a new love affair where I'm googling for more information and
 buying books and thinking all the time about this, to me, magical
 artist. 
 

As seen on The WELL, quoted with permission of the author.


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