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From the
Decor Conference:
The Art We Display Response #329 (caseyell) Thursday, August 8, 2002 you know that old saw about being friends with someone for years and then one day you look into his/her eyes and, Wham!, you're in love? well, that happened to me in Vancouver last week-end, although my new-found passion is for a man's paintings rather than for the man himself. Deep in the loveliest part of the Dordogne is an inn run by a fabulous former fashion photographer named Georges Dambier. We have stayed there three times and I love everything about the place, from Baghdad Cafe, the resident chien, to the decor, a blend of local antiques and contemporary art. But although I always appreciated the overall look, I never really yearned to own any of the art: mostly still-life lithographs, signed with personal dedications to Georges. The, last Saturday, I walked into the Buschler Mowatt Gallery, saw a massive oil painting across an uncrowded room and lost my heart. This was unexpected: My heart generally beats faster in the presence of Early California landscapes or massive portraits by Sargent. If I had an extra $600,000 lying around, I know just the Wayne Thibaud oil I'd buy at Hackett-Freedman, and I'd sell my soul for that small Manet painting of white asparagusif the D'Orsay ever decides to part with it. But a huge, nearly abstract study of a vase of flowers done in taxi-cab yellow and black? Not likely, I'd have said. I'd have been wrong. Seems Georges's friend, the painter Bernard Cathelin, is a well-known member of the Ecole de Paris. He studied with Matisse. He was the subject of a major retrospective show at the Orangerie earlier this summer. He's 84 years old and still painting vigorously: the work I loved in the gallery was done just last year. I have neither the wall space nor the art budget for one of his oils, but the gallery also carries his lithographs -- which are exquisitely done on Japanese rice paper. J and I bought one (another black and yellow floral still life) as an anniversary gift to each other and then Jack bought me a second (a very understated gray and white study of roses in a vase)as a "sorry you didn't get to paris and st. petersburg" gift. I *danced* out of that gallery--and am now at that delicious stage of a new love affair where I'm googling for more information and buying books and thinking all the time about this, to me, magical artist. |
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