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    <title>The WELL: inkwell.vue.175: pighed (Mark Meadows), _Pause and Effect: The Art of Interactive Narrative_</title>
    <link>http://www.well.com/conf/inkwell.vue/topics/175/pighed-Mark-Meadows-Pause-and-Ef-page01.html</link>
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      <title>The WELL: inkwell.vue.175: pighed (Mark Meadows), _Pause and Effect: The Art of Interactive Narrative_</title>
      <link>http://www.well.com/conf/inkwell.vue/topics/175/pighed-Mark-Meadows-Pause-and-Ef-page01.html</link>
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    <item>
      <title>
	    #74: The Fucked-Up Piano Chicks  (magdalen) Fri 7 Mar 03 16:22
	  </title>
      <guid isPermaLink="true">http://www.well.com/conf/inkwell.vue/topics/175/pighed-Mark-Meadows-Pause-and-Ef-page03.html#post74</guid>
      <description>
        have phun piggie.
  	    &lt;small&gt;[&lt;a href="http://www.well.com/conf/inkwell.vue/topics/175/pighed-Mark-Meadows-Pause-and-Ef-page01.html"&gt;Read entire topic&lt;/a&gt;]&lt;/small&gt;
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      <pubDate>Fri, 07 Mar 2003 16:22:00 PST</pubDate>
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      <title>
	    #73: pighed (pighed) Fri 7 Mar 03 00:55
	  </title>
      <guid isPermaLink="true">http://www.well.com/conf/inkwell.vue/topics/175/pighed-Mark-Meadows-Pause-and-Ef-page03.html#post73</guid>
      <description>
        in sri lanka now... the trip out was a, well, trip.  our flight out of italy
got canned due to US troops hogging the rnuway, so we go reroutede through
to kuwait.  i'm in sri lanka now and meeting with a local here on how they
have some interesting local forms of indian narratives - will post again in
a couple weeks..
  	    &lt;small&gt;[&lt;a href="http://www.well.com/conf/inkwell.vue/topics/175/pighed-Mark-Meadows-Pause-and-Ef-page01.html"&gt;Read entire topic&lt;/a&gt;]&lt;/small&gt;
      </description>
      <pubDate>Fri, 07 Mar 2003 00:55:00 PST</pubDate>
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      <title>
	    #72: Jon Lebkowsky (jonl) Tue 4 Mar 03 09:49
	  </title>
      <guid isPermaLink="true">http://www.well.com/conf/inkwell.vue/topics/175/pighed-Mark-Meadows-Pause-and-Ef-page03.html#post72</guid>
      <description>
        I want to thank &amp;lt;pighed&amp;gt;, &amp;lt;zorca&amp;gt;, et al for this fascinating conversation
about the present and future of interactive narrative. Please feel free to
continue posting, though the designated two weeks has passed.
  	    &lt;small&gt;[&lt;a href="http://www.well.com/conf/inkwell.vue/topics/175/pighed-Mark-Meadows-Pause-and-Ef-page01.html"&gt;Read entire topic&lt;/a&gt;]&lt;/small&gt;
      </description>
      <pubDate>Tue, 04 Mar 2003 09:49:00 PST</pubDate>
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      <title>
	    #71: Gail Williams (gail) Tue 4 Mar 03 09:10
	  </title>
      <guid isPermaLink="true">http://www.well.com/conf/inkwell.vue/topics/175/pighed-Mark-Meadows-Pause-and-Ef-page03.html#post71</guid>
      <description>
        That would be an interesting project!
  	    &lt;small&gt;[&lt;a href="http://www.well.com/conf/inkwell.vue/topics/175/pighed-Mark-Meadows-Pause-and-Ef-page01.html"&gt;Read entire topic&lt;/a&gt;]&lt;/small&gt;
      </description>
      <pubDate>Tue, 04 Mar 2003 09:10:00 PST</pubDate>
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      <title>
	    #70: The Phantom of the Arts Center (tinymonster) Mon 3 Mar 03 18:55
	  </title>
      <guid isPermaLink="true">http://www.well.com/conf/inkwell.vue/topics/175/pighed-Mark-Meadows-Pause-and-Ef-page03.html#post70</guid>
      <description>
        Gail -- Wow!  Somebody remembers Trixie Belden!&lt;br /&gt;&lt;br /&gt;&amp;gt; Girls do like adventure books, of course,...
&amp;gt; Female protagonists help!  &lt;br /&gt;&lt;br /&gt;This made Neil Gaiman's _Coraline_ leap to my mind....
  	    &lt;small&gt;[&lt;a href="http://www.well.com/conf/inkwell.vue/topics/175/pighed-Mark-Meadows-Pause-and-Ef-page01.html"&gt;Read entire topic&lt;/a&gt;]&lt;/small&gt;
      </description>
      <pubDate>Mon, 03 Mar 2003 18:55:00 PST</pubDate>
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      <title>
	    #69: nape fest (zorca) Mon 3 Mar 03 12:38
	  </title>
      <guid isPermaLink="true">http://www.well.com/conf/inkwell.vue/topics/175/pighed-Mark-Meadows-Pause-and-Ef-page03.html#post69</guid>
      <description>
        thanks, mark. lovely summing up. i very much look forward to a more
interactive future and am glad that individuals like yourself are committing
this much intelligence and effort toward its evolution.i encourage anyone
with an interest in this emerging area to check out mark's three websites
now and then for updates.&lt;br /&gt;&lt;br /&gt;http://www.boar.com
http://www.bore.com
http://www.boor.com&lt;br /&gt;&lt;br /&gt;i believe mark is right now winging his way to sri lanka for a bit more, um,
research. and while this interview is officially over, i hope that anyone
wishing to contribute to an ongoing conversation on the topic will feel free
to do so here.&lt;br /&gt;&lt;br /&gt;cheers...
  	    &lt;small&gt;[&lt;a href="http://www.well.com/conf/inkwell.vue/topics/175/pighed-Mark-Meadows-Pause-and-Ef-page01.html"&gt;Read entire topic&lt;/a&gt;]&lt;/small&gt;
      </description>
      <pubDate>Mon, 03 Mar 2003 12:38:00 PST</pubDate>
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    <item>
      <title>
	    #68: pighed (pighed) Mon 3 Mar 03 09:42
	  </title>
      <guid isPermaLink="true">http://www.well.com/conf/inkwell.vue/topics/175/pighed-Mark-Meadows-Pause-and-Ef-page03.html#post68</guid>
      <description>
        &amp;gt; willing to leave us with a few words about how he thinks
&amp;gt; interactive narrative might actually manifest in the next
&amp;gt; few years? what can we look forward to? how can we help?&lt;br /&gt;&lt;br /&gt;i think about this more than i'd like and its a tricky thing to talk about
cause the possibilities seem infinite and, finally, dependant on the
increasing imagination of authors (+ tech).  which seem limited only by
their historic foundation and preceding ideas.&lt;br /&gt;&lt;br /&gt;if my theory that interaction in literary forms has increased and personal
perspectives have becoming increasingly rich from greek epics on down to
modern essays, then i dont see why other forms of narrative wouldnt follow
the trend. my suspicion is that over the next decade i suspect we'll see an
emergence of increasingly political/social forms of reactives and a gradual
decrease of violence as the sole reason for player motivation.  A Tale In
The Desert and Banja being two examples.  but dont get me wrong; i think
violence will always hold an important role - as will sex - because they're
important to how we live and, let's face it, they sell.&lt;br /&gt;&lt;br /&gt;i imagine it being a tree.  right now we're only at the point where the
roots meet the trunk.  over the coming decades the artform would improve,
solidify, find its direction, and once that has been established then it
will branch out, with primary trends appearing.&lt;br /&gt;&lt;br /&gt;since interaction isnt based in digital media, and since there are thousands
of different literary and visual art forms, genres, trends, etc then i
expect things to diversify in a couple of decades based, largely, on the
combinations of existing technologies and techniques.  examples:
ubiquitous.computing+architecture, print+audio, AI+vid.games, VR+video,
mobile+everything...&lt;br /&gt;&lt;br /&gt;after a few decades i have a hard time imagining limits.  what happens when
we see something like diamond age, in which narrative realities overlap our
actual realities, and 'ractors are paid on an individual level?  who isnt an
actor or author then?  when VR and SMME are so neatly stitched into our
daily lives we see walkmans replaced by interactive books?  sci.fi and so
on.&lt;br /&gt;&lt;br /&gt;i wonder if hollywood will be displaced by some other center that's being
steered by people more receptive to reactives than folks like Valenti and
Eisner.  i wonder if a center will appear at all.  i wonder if there is a
chance to invent financial models for art that are based on profitable trade
rather than monetary sales.  i wonder how to get media companies like AOL
off their ass and to take notice of the potential they have to improve what
they do.  i wonder about university programs adopting new ideas and
definitions of narrative.  i also wonder about what the hell we should call
it all (reactives or interactive narrative or narrative intelligence
systems, just movies).&lt;br /&gt;&lt;br /&gt;for myself, i'm spending my time focusing on the integration of AI
technologies with narratives and art.  i think this will be a fruitful
branch to follow.  its at least more interactive and has a strong character
(hopefully).&lt;br /&gt;&lt;br /&gt;then, if that's interactive, i'm also concentrating on increasingly personal
forms of authorship (such as my work at http://www.boar.com/days/).  once
these personal forms of narrative can be folded into interactive authorship
where the reader can affect the plot of, essentially, the author's life, my
guess is we'll see a whole new set of work drop off of those spliced
branches.&lt;br /&gt;&lt;br /&gt;as authors, we're lucky to be alive these days.  we have the chance to watch
something new being born, to help it grow, and to throw out own ideas into
the pile.  everything seems to be exploding, and we all have a can of gas we
can can throw.
  	    &lt;small&gt;[&lt;a href="http://www.well.com/conf/inkwell.vue/topics/175/pighed-Mark-Meadows-Pause-and-Ef-page01.html"&gt;Read entire topic&lt;/a&gt;]&lt;/small&gt;
      </description>
      <pubDate>Mon, 03 Mar 2003 09:42:00 PST</pubDate>
    </item>

    <item>
      <title>
	    #67: Gail Williams (gail) Fri 28 Feb 03 11:45
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      <guid isPermaLink="true">http://www.well.com/conf/inkwell.vue/topics/175/pighed-Mark-Meadows-Pause-and-Ef-page03.html#post67</guid>
      <description>
        Oops, mucho slippage.&lt;br /&gt;&lt;br /&gt;Zorca's call for a summary is totally timely.  The time has flown!
  	    &lt;small&gt;[&lt;a href="http://www.well.com/conf/inkwell.vue/topics/175/pighed-Mark-Meadows-Pause-and-Ef-page01.html"&gt;Read entire topic&lt;/a&gt;]&lt;/small&gt;
      </description>
      <pubDate>Fri, 28 Feb 2003 11:45:00 PST</pubDate>
    </item>

    <item>
      <title>
	    #66: Gail Williams (gail) Fri 28 Feb 03 11:43
	  </title>
      <guid isPermaLink="true">http://www.well.com/conf/inkwell.vue/topics/175/pighed-Mark-Meadows-Pause-and-Ef-page03.html#post66</guid>
      <description>
        Can't find that one now... but this may be interesting too:
 &amp;lt;muchomedia.266&amp;gt;
  	    &lt;small&gt;[&lt;a href="http://www.well.com/conf/inkwell.vue/topics/175/pighed-Mark-Meadows-Pause-and-Ef-page01.html"&gt;Read entire topic&lt;/a&gt;]&lt;/small&gt;
      </description>
      <pubDate>Fri, 28 Feb 2003 11:43:00 PST</pubDate>
    </item>

    <item>
      <title>
	    #65: Gail Williams (gail) Fri 28 Feb 03 11:42
	  </title>
      <guid isPermaLink="true">http://www.well.com/conf/inkwell.vue/topics/175/pighed-Mark-Meadows-Pause-and-Ef-page03.html#post65</guid>
      <description>
        Girls do like adventure books, of course, but osme of the adventure is
social, and some of the suspense has to do with relationships.  Female
protagonists help!  &lt;br /&gt;&lt;br /&gt;Nancy Drew and Trixie Belden are two girl detective series popular 
forever -- Little House on the Prairie was such an enduring series of 
girl's faves that it was a natural for a TV series.  Island of 
the Blue Dolphins was an award-winning survival tale.    &lt;br /&gt;&lt;br /&gt;I googled &amp;quot;girls book list popular reading&amp;quot; and grabbed these pages
quickly -- take a look at the plot synopses on these for a start:
http://www.bookloversden.com/gseries.html
http://www.randomhouse.com/BB/promos/greatbooks/booklist.html&lt;br /&gt;&lt;br /&gt;Samples:
Wrede, Patricia. Dealing with Dragons. 1990. Harcourt Brace. Ages 10-13. 
     Cimorene finds being a princess so boring that she takes a job
working for a dragon! The first in a popular, funny series. &lt;br /&gt;&lt;br /&gt;Avi. The True Confessions of Charlotte Doyle. 1990. Orchard. Ages 10-14. 
     &amp;quot;Not every thirteen-year-old girl is accused of murder, brought to
trial, and found guilty,&amp;quot; opens this thrilling tale of a proper young lady 
who changes when she gets caught up in a mutiny. A top-notch adventure.&lt;br /&gt;&lt;br /&gt;Or seen on this Teen Angst reading site:
http://www.grouchy.com/angst/reviews.html
 &amp;gt;Angus, Thongs, and Full-Frontal Snogging
&amp;gt;Confessions of Georgia Nicolson
&amp;gt;by Louise Rennison
&amp;gt;Imagine if Harriet (from Harriet the Spy) grew
&amp;gt;up, became obsessed with boys, was a fan of
&amp;gt;Claire Danes and that old television series &amp;quot;My
&amp;gt;So-Called Life,&amp;quot; and lived in England... Or,
&amp;gt;imagine a younger, more naive version of
&amp;gt;Bridget Jones (from B. J.'s Diary)... well, then
&amp;gt;you'd have a bit of an idea what Georgia
&amp;gt;Nicolson is like. She's sharp and smart-assed,
&amp;gt;pouty, and as melodramatic as an opera diva.&lt;br /&gt;&lt;br /&gt;Also, there's an old topic from the WELL sex conf about this subject, with
a lot of interesting comments, from almost ten years ago.
  	    &lt;small&gt;[&lt;a href="http://www.well.com/conf/inkwell.vue/topics/175/pighed-Mark-Meadows-Pause-and-Ef-page01.html"&gt;Read entire topic&lt;/a&gt;]&lt;/small&gt;
      </description>
      <pubDate>Fri, 28 Feb 2003 11:42:00 PST</pubDate>
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