Email: jmalloy@mail.well.com

Home Page: http://www.well.com/user/jmalloy

Education:
B.A., Middlebury College
Middlebury, VT
Graduate Institute on Systems Analysis,
University of Denver, 1969

Member:
National Writers Union
Literary Advisory Board, Electronic Literature Organization

Judy Malloy

Writer, New Media/Information Artist

RECENT CONTRACTS AND PROJECTS
  • Authoring Software Blogbase
    Produced in conjuntion with the 2008 Electronic Literature Conference,
    Visionary Landscapes

  • Art California Web and the The Art California Web Directory
    Access to Internet content created by over 5,000 California artists,
    innovators, and arts organizations.

  • The Arts on the Internet: Art, Advocacy, News, Information
    Center for Digital Democracy, 2004
    Preparing a consultant's report on how art information is represented on the Internet

  • Editor, NYFA Current, (formerly Arts Wire Current)1996-March, 2004
    New York Foundation for the Arts, 155 Avenue of the Americas, New York, NY 10013-1507
    Write and edit NYFA Current, a weekly electronic publication featuring news updates on social, economic, philosophical, and political issues affecting the arts and culture. (1996-2004)
    From 1993 - 1995, I was Arts Wire Front Desk Coordinator. In 1996, I was Arts Wire Content Coordinator. From 1997-2000, I was Arts Wire Network Coordinator. Responsibilities have included working with the coordination and design the Arts Wire web site, hosting and coordinating the Arts Wire conferencing system and helping artists and arts organizations create web content. Through Arts Wire, I was one of the initial consultants for the Benton Foundation/NEA Open Studio project.

  • Consultant (Electronic Communities and the Document of the Future), Xerox PARC, 1993 - 1997 Xerox Palo Alto Research Center, 3333 Coyote Hill Rd., Palo Alto, CA 94304 Writing and programming an interactive narrative in LambdaMoo (with Pavel Curtis); writing and programming Forward Anywhere, a collaborative hyperfiction (with Cathy Marshall)

  • SFAI Visiting Faculty, Spring 97
    San Francisco Arts Institute, 800 Chestnut St., SF, CA Co-taught a course (with Gail Wight) on World Wide Web Theory and Design. Students acquired an overview of the Internet, learned how to do basic html, how to explore the web and how to use tools available on the web. They studied contemporary webbased art and acquired an understanding of the variety of art possible in this medium. Each student produced a web based work of art.

  • Consultant, the Internet Yellow Pages, 1993-1994
    Worked on the initial ideas and content for the Internet Yellow Pages. Compiled Art Content for the Internet Yellow Pages. Was on the initial Review Board for The McKinley.

  • Associate Editor, Leonardo, 1991- 1994, Int. Co-Editor, Leonardo, Editor, "Words on Works", 1993- Editor, Words on Works, 1991-2000
    The International Society For the Arts, Sciences and Technology, 672 South Van Ness Avenue, San Francisco, CA 94110. Soliciting and editing artist's statements for "Word on Works".

  • Contributing Writer, MicroTimes, 1992 - 1995
    BAM Publications, San Francisco, CA Writing articles on inteactive art and literature for the Multimedia section of MicroTimes.

  • Producer, Making Art Online, 1993 - 1994
    Center for Image and Sound Research, (CSIR) Vancouver, B.C., Canada
    Updating and organizing my collection of artists statements about making art in telecommunications systems for a Multimedia, Art and Telecommunications Project that was hosted on one of the first artists websites, CSIR's ANIMA. Making Art Online is currently hosted on the Walker Art Center's Telematic Timeline

  • Computer Conferencing Consultant, Telluride Institute, summer, 1993
    The Telluride Institute, Telluride, CO 81435 Consulted on computer conferencing systems, Set up preliminary BBS system for the InfoZone, a community based network including gathering and organizing information that would be made available through the Internet on sustainable agriculture, health care, environmental protection, and arts resources; hosted an electronic publication workshop.

  • Visiting Artist, Deep Creek School, June - July, 1993, June 1994
    Deep Creek School, Box 171, Telluride, CO 81435 Worked with graduate art students in art and telecommunication and art writing for a summer school affiliated with the Arizona State University.

  • Associate Editor, Leonardo Electronic News, 1991 - Aug., 1993 Asst. Editor, F.A.S.T., FineArt Forum, 1988-1989; Coordinating Editor, F.A.S.T., FineArt Forum, 1988-1990
    International Society for Art, Science and Technology, 672 South Van Ness Avenue, SF, CA 94110 Coordinated the electronic newsletters FineArt Forum and Leonardo Electronic News (which later became Leonardo Electronic Almanac. Helped design and debug the menus, designed and set up the Internet mailer programs. Coordinated efforts of other personnel. Solicited and edited material from writers and artists. Wrote filler material. Edited sections and issues. Consulted on computer systems.

FICTION

  • The Wedding Celebration of Gunter and Gwen - (2006-2007)
    featured in Visionary Landscapes,
    the 2008 Electronic Literature Organization
    International Conference Exhibition

  • Concerto for Narrative Data - (2005-2006)
    Iowa Review Web, in press 2008;
    also featured in the Centenary of Carmen Conde,
    Spain 2007; and the 2006 FLEFF Film Festival
    Ithaca, NY

  • Revelations of Secret Surveillance - (2004-2007)
    Revelations of Secret Sureveillance was performed at
    Hypertext 2004, University of California at
    Santa Cruz and featured in the Net Art Open - on the
    Internet from Ireland in January 2005; the 2005 Web Biennial
    at the Istanbul Contemporary Art Museum and the Hellenic American
    Union in Athens; selected for inclusion in the Rhizome
    ArtBase, NY, 2007.

  • Afterwards - published in the December 2003 issue of
    the Iowa Review Web, the web publication of the
    Iowa Review

  • A Party at Silver Beach - (2003)

  • Dorothy Abrona McCrae (2000)

  • Interlude - Dorothy and Sid (2001) - published in
    The Blue Moon Review.

  • The Roar of Destiny Emanated From the Refrigerator (1995-1999)
    The Roar of Destiny is included in the Boston CyberArts
    HyperGallery and profiled in my chapter in Interactive Dramaturgies
    Heide Hagebolling, ed, Berlin, Heidelberg, Springer, 2004)
    "...a perfect example of thought and physical interaction
    working together... " - interactivecinema.org

  • L0ve0ne - published in Eastgate's Web Workshop
    A polish translation of L0ve0ne -- k0cHack0g0s -- by Mariusz Pisarski and Zuzanna Grochulska, is available at http://www.techsty.art.pl/magazyn/malloy.htm

  • Forward Anywhere,
    a collaborative hyperfiction by Judy Malloy and Cathy Marshall (1996)
    - published by Eastgate, Cambridge, MA. (Reviewed in the
    London Independent,CNN's FutureWorks;
    Convergence; and Especulo)

  • its name was Penelope. for both Macintosh and MS-DOS computers - published by Eastgate, Cambridge, MA., 1993. (Reviewed in Washington Post Book World, New York Times, American Book Review, Modern Fiction Studies, Postmodern Culture, and others)

  • "Wasting Time", A Narrative Data Structure" - Published in: After the Book (Perforations 3) Summer, 1992.

  • "No Potato Chips". Heresies 25: The Art of Education 7(1): 11, 1990

  • YOU! A collaboratively created data structure - Exhibited at INTERNET, A's, NYC, NY; Included in The New Media Reader CD -- The New Media Reader edited by Noah Wardrip-Fruin and Nick Montfort. Cambridge, MA: MIT Press, 2003

  • Molasses, Berkeley, CA, Bad Information, 1988. (for MacIntosh Computers HyperCard - produced at the Whole Earth Review under sponsorship of Apple Computers) - Exhibited at Tisch School of the Arts, New York University, NYC, NY

  • Uncle Roger the first electronic hyperfiction (1986, adapted for the web in 1995)

  • Uncle Roger, A Database Novel for Apple II and IBM computers, Berkeley, CA, Bad Information, 1986-1988 (also available as online on Art Com Electronic Network) - partially funded by the California Arts Council and Art Matters

  • Lucy Comes Back. Pathological Press, Berkeley, Ca,1986. 10 p. (self published for the mail art network)

  • 500 3X5 Cards and Other Stories. Pathological Press, Berkeley, CA, 1984. (self published for the mail art network)

  • Super Lucy, Pathological Press, Berkeley, Ca, 1983. (self published for the mail art network)

  • Bad Thad. NY, E.P. Dutton, 1980 (illustrated by Martha Alexander)

NON-FICTION
  • Judy Malloy, "Creative Approaches to New Media". in D. Kritt and L. Winegar, eds, Education and Technology: Critical Perspectives and Possible Futures, Lanham MD, Rowman and Littlefield, 2007.

  • Judy Malloy, "Streaming Media Trail," Leonardo, 38:3, 2005.

  • Judy Malloy, "Reading From the Screen, Four Writers at Hypertext '04," Tekka, 2:4, 2005. http://www.tekka.net/

  • Judy Malloy, "Writing Public Literature in an Evolving Internet Environment" in Heide Hagebolling, ed, Interactive Dramaturgies: New Approaches in Multimedia Content and Design, Springer, 2004

  • Judy Malloy, Editor, Women, Art and Technology,Cambridge, MA: MIT Press, 2003
    with writing by Margaret Morse, Lynn Hershman, Sonya Rapoport, Pauline Oliveros, Agnes Hegedus, Helen and Newton Harrison, Jo Hanson, Char Davis, Brenda Laurel, Jaishree K. Odin, Eva Wohlgemuth and Kathy Rae Huffman, Sandy Stone, Donna Cox, Nell Tenhaaf, Troika Ranch, Anna Couey, Kathy Brew, Steina Vasulka, Joan Jonas, Judith Barry, Dara Birnbaum, Pamela Z, Zoe Sofia, and many others

  • Judy Malloy, "Narrative Structures in LambdaMOO" in: In Search of Innovation - the Xerox PARC PAIR Experiment. Craig Harris, ed. MIT PRESS, 2000.

  • Judy Malloy and Cathy Marshall, "Notes on an Exchange Between Intersecting Lives", in: In Search of Innovation - the Xerox PARC PAIR Experiment, Craig Harris, ed., MIT PRESS, 2000

  • Judy Malloy, "Hypernarrative in the Age of the Web", art.community, National Endowment for the Arts (NEA) website, 1998

  • Judy Malloy, "A Common Language: Art and Technology in the Age of the Internet", AlphaWorks, December 1997

  • Judy Malloy, "On the (Art) Net",Razon Y Palabra, 1997

  • Judy Malloy, "Forward Anywhere", (with Cathy Marshall) in: Wired Women. Seal, 1996 ed. Cherny and Weise. pp. 56-70

  • Judy Malloy, "Interactive Installation Art", MicroTimes, April 5, 1994: 306-314.

  • Judy Malloy, "Manipulating Words with Computers", MicroTimes, November 23, 1993

  • Judy Malloy, "Computers in Painting and Sculpture", MicroTimes, Sept. 20, 1993.

  • Judy Malloy, "Some Artware for Macintosh Computers" MicroTimes, May 31: 298-303, 1993 (produced with an equipment loan from Apple Computers)

  • Judy Malloy, "Uncle Roger, an online narrabase", Leonardo 24(2):195-202, 1991.

  • Judy Malloy, "Electronic Fiction in the 21st Century" IN: Visions of the Future. Cliff Pickover, ed. Northwood, Middlesex, England, Science Reviews, 1992. pp. 137-144.

  • Judy Malloy, "Art Online: A Look at Artists...." MicroTimes, March 93:296-305

  • Judy Malloy, "Artware: Intelligent Responsive Works of Art..." MicroTimes, February 8, 1993:293-296

  • Judy Malloy, YOU!, Art Com Magazine 11(6) July 1991. (entire issue)

  • Judy Malloy, "YOU!, A Collaborative Narrative Data Structure" In: Taproots (special issue on Art and Technology. Robert Drake, ed.) Cleveland, OH, 1992.

  • Judy Malloy, Thirty Minutes in the Late Afternoon, Art Com Magazine 42(10), Oct.1990 (entire issue)

  • Judy Malloy, "OK Research/OK Genetic Engineering/Bad Information, Information Art Defines Technology", Leonardo 21(4): 371 - 375, 1988

  • Judy Malloy, "Bad Information in - Bad Information Out, Art Com Magazine 8(2),1988 (entire issue)

  • Judy Malloy, "The Art of Information is OK: Judy Malloy in conversation with Carl Loeffler", Art Com Magazine 8(1) no.29, 1987

  • Judy Malloy, "Information as an Artists Material", Whole Earth Review no. 57:48-49, Winter, 1987

  • Judy Malloy, "Anyway you look at it, ADM has your antenna...." In: The Un/Necessary Image, ed.by P. D'Agostino and A. Muntadas for the MIT Committee On The Visual Arts. NY, Tanam Press, 1982. pp. 76-79

SELECTED GROUP EXHIBITIONS/READINGS (1979 -)

  • Centenary of Carmen Conde, Spain 2007

  • EcoPoetics, FLEFF, Ithaca, NY, March 30-April 6, 2006

  • 2005 Web Bienniel,, Istanbul Contemporary Art Museum and the Hellenic American Union in Athens, 2005

  • New Art Open, Ireland, January 2005

  • Hyperpoetry, Hypertext04, University of Santa Cruz, Santa Cruz, CA, August 2004.

  • Electronic Readings, Hammer Museum, Los Angeles, CA, April 5, 2002

  • Telematic Connections: The Virtual Embrace, Walter & McBean Galleries, San Francisco Art Institute, February 2001

  • "Archiving as Art", International Symposium on Electronic Art, (ISEA 2000) Paris, France, December 2000.

  • LINES, Sao Paulo, Brazil, August, 2000

  • Women at the Millenium, Dwinelle Hall, University of California, Berkeley, CA, March 2000

  • The Artchivist, Paris, France, January 2000

  • Boston Cyberarts Festival, Boston, CA, May 1999

  • Survivor's Art, Southampton Cultural Center, Southhampton, NY, March 19-21, 1999

  • Boundless, West Coast Book Artists of the Seventies, San Francisco Center for the Book, June 8 - August 28, 1998

  • Eighth International Symposium of Electronic Arts (ISEA97), School of the Art Institute of Chicago, September 22 -27, 1997

  • Artists Books, Berkeley Art Center, October 3 - Dec. 31, 1996

  • (ART) WORD (ART) Trojanowska Gallery, S.F. October 28 -Nov. 17, 1995

  • INTERNET, A's, NYC, NY March, 1995

  • The Printed Word: From Gutenberg to the Information Superhighway, University of Nevada, Reno, April, 1994

  • Judy Malloy, Christine Tamblyn, and Maria Hernandez, "Hypertext", S.F. Public Library, Park Branch, (The American Poetry Archives) May 12, 1994

  • Photographic Book Art in the United States, Institute for Contemporary Art, New Orleans, LA, January, 1994 (show also traveled to The Washington Center for Photography, The Houston Center for Photography, CameraWork (San Francisco), and others)

  • Shaped Structures, Palos Verdes Art Center, Aug. 6- Oct. 9, 1993

  • "MATRIX: Women Networking", SIGGRAPH '93, Anaheim, CA, Aug., 1993 (catalog)

  • TELE-COMMUNITY, IDEAS Festival, Telluride, CO, July, 1993

  • Women and Technology, The Beverly Hilton, Beverly Hills, CA, Dec. 5, 1992

  • Wit & Wisdom, The Forum Gallery, Jamestown, NY, May 20-June 17, 1992. (catalog)

  • Cross-Currents, Selby Gallery, Ringling School of Art and Design, February 23 - March 28, 1992. (show was also at U. C. Santa Barbara, CA; Hayward State University, CA among others; catalog)

  • International Artists Books Exhibition, The National Library of Lisbon, Portugal, 1992

  • Reflux, The Sao Paulo Biennial, Brazil, November 1991.

  • Boundless Vision, Contemporary Bookworks, San Antonio Art Institute, Sept. 12 - Oct. 27, 1991

  • Scarlet Letters, Women's Studio Workshop, Roslindale, NY, Feb., 1991

  • Impulse 1991, Astrae Gallery, Washington, DC, Feb. 18 - March 3 1991

  • Die Mauer, SOCA Gallery, Napa, CA, November, 1990.

  • Lines of Force, Bayfront Gallery, San Francisco, CA, Oct.5 -Dec. 21, 1990

  • Multiples, Nexus Gallery/Chastain Gallery, Atlanta, GA, Sept.9 - Oct.12, 1990 (catalog)

  • A Book in Hand, Arvada Center for the Arts and Humanities, Colorado, Sept.14 - Nov. 19, 1989

  • ARTWARE, A Space, Toronto, Canada, April 6 - May 6, 1989

  • Art Com Software: Digital Concepts and Expressions, Tisch School of the Arts, New York University, NYC, NY, Nov. 4 - 22, 1988.(Show also travelled to San Jose State University, University of Colorado, Ars Electronica, Linz, Austria; Carnegie Melon Univ.)

  • Visual Poetry, Sao Paulo Municipal Gallery, Sao Paulo, Brazil, summer 1988. (catalog)

  • Satire, Florida State University at Tallahassee, January, 1988

  • Festival of Plagiarism, ATA, San Francisco, CA, Feb. 1988

  • 100+ Women, P.P.O.W. Gallery, NY, NY, Dec. 1987

  • Books Without Bounds, Irvine Fine Arts Center, CA, Dec.4, 1987 - Jan. 14, 1988

  • In Relation to Marcel Duchamp, Nexus, Foundation for Today's Art, Philadelphia, PA, Oct 2 - 30, 1987

  • Ultimatum II, Images du Futur '87, Montreal, Canada, Sept. 1987

  • Artists Books, Texas Women's University, September - October, 1987.

  • Bookworks, A.N. Bush Gallery, Salem, OR, May 28 - June 28, 1987

  • The Art of Love, San Francisco Art Institute, Feb. 1987

  • ARTBUS, Documenta 8, Kassel, Germany, July 1987

  • Planetary Network, Biennale of Venice, Summer 1986

  • Experimental Books, Works, San Jose, Oct. 1986

  • International Copier Art Bookworks, Technical University of Nova Scotia, Oct, 1986 (catalog)

  • Handmade Photographic Books, Texas Women's University, Denton, TX, Jan., 1986

  • The Book in Time, SUNY Purchase, Purchase, NY, Oct., 1985

  • Photographic Books, Allen Street Gallery, Center for Visual Communication, Dallas, TX, May 13-26, 1985

  • Boxes, Southeastern Center for Contemporary Art, Winston-Salem, NC, June 21- Aug. 11, 1985 (catalog)

  • Handmade Photographic Books, National Society for Photographic Education Conference, Minneapolis, MN, March 14-17, 1985

  • Books Artists Have Made, Cleveland Institute of Art, Cleveland, OH, Feb. 17-Mar. 2, 1984 (curated by Franklin Furnace)

  • New Art 84, Intersection Gallery, SF, CA, Dec. 23 -Feb. 5, 1984

  • Experimental Books, Texas Women's University, Denton, Tx, Nov. 8-Dec. 5, 1983

  • Color Xerox Annual, Intersection Gallery, SF, CA, Dec., 1983

  • Artists Books, Berkeley Art Center, Berkeley, CA, Dec., 1983

  • Bookworks, National Library of Madrid, Madrid, Spain, Sept. 15-Oct. 15, 1982 (curated by Franklin Furnace)

  • Black and White, Public Image, NY, NY, June 9-July 3, 1983

  • Bookworks: 1982, Moore College of Art, Philadelphia, Pa, Oct., 1982

  • Radical Humor, Loeb Student Center, New York University, NY, NY April,1982

  • Book as Art, Eaton/Shoen Gallery, SF, CA, June 14-July 25, 1981 (curated by Franklin Furnace; show travelled to Univ. of Arizona Museum of Art, Univ. of New Mexico Museum of Art, the Walker Museum, and others)

  • Book Show, Zone, Springfield, MA, Sept., 1981

  • Bound to Be, Catskill Gallery, Catskill, NY, April 17-May 12, 1981

  • "Nucleus I", XVI Biennial de Sao Paulo, Sao Paulo, Brazil, Oct. 16-Dec.20, 1981 (catalog)

  • Artists Publications 1980, Tweed Museum of Art, University of Minnesota, Duluth, MN, Nov. 7-29, 1980

  • Generative Systems, Heller Gallery, University of California at Berkeley, Nov. 18-Dec. 16, 1979

  • Options in Independent Art Publishing, Visual Studies Workshop, Rochester, NY, Nov. 6-9, 1979

  • Artwords and Bookworks, Los Angeles Institute of Contemporary Art, LA, CA, Feb. 28-Mar. 30, 1979

INSTALLATIONS
  • "Objective Connections" with Sonya Rapoport), Generations, Richmond Art Center, Richmond, CA, "Sept. 21 - Nov. 16, 1996

  • Forward Anywhere(with Cathy Marshall) , The ADA Show, Artemesia Gallery, Chicago, March 1996

  • Forward Anywhere,(with Cathy Marshall) Xerox PARC 25th Anniversary, Xerox PARC Corporate Lobby, Palo Alto, CA, September 1995

  • The Yellow Bowl, Digital Identities, Sheppard Gallery, University of Nevada, Reno, February 3-March 3, 1995

  • The Yellow Bowl, Interactive Art, FISEA, Minneapolis, MN, November, 1993

  • Its Name was Penelope, The Computer is not Sorry, The Space, Boston, MA. January 1993 (catalog)

  • Its Name was Penelope, Revealing Conversations, Richmond Art Center, CA, Oct. 3 - Nov. 19, 1989

  • Bad Information, Monumental Women, SOMAR Gallery Space, San Francisco, Sept. 18 - Oct 31, 1987

  • I Never get Jealous, Pauley Ballroom, University of California, Berkeley, Ca, Oct. 30, 1984

  • Recollection, Heller Gallery, University of California at Berkeley, March 1-27, 1982

  • Technical Information, SITE, San Francisco, CA, March 3-28, 1981 (partially funded by the NEA)

  • Hearst Strip, Location/Dislocation, Berkeley Art Center, Berkeley, CA, April 25- May 23, 1980

  • 3X5, Visual Card Catalogs, Artworks, Venice, CA, Sept. 18 - Oct. 18, 1979

  • Wiggly Bush Meadow, San Francisco Public Library, April 18-May 27, 1978 (with Doyle Saylor; sponsored by La Mamelle, inc. as part of the LOCATION project; partially funded by the NEA)

  • Judy Malloy, Mixed Media, Upstairs Gallery, Sunnyvale, CA, March, 1976

SELECTED PERFORMANCES
  • You!, CyberEncounters (an online event), Tisch School of the Arts, NY University, NY, June 1991

  • Earthquake Survival Kit, South of Market, San Francisco, CA, Oct.17, 1990

  • Free Values, 9TH and Folsom St, San Francisco, CA, Nov. 8 (election eve), 1988

  • Lucy Comes Back, Pike's Building, Berkeley, CA, June 23, 1986

  • Booze, People's Park Annex, Berkeley, Ca, June 23, 1985

  • Human Lust Inducing Virus, S.F. Art Commission Gallery, S.F., CA, June 5, 1984

  • OK Genetic Engineering, J.P. Malloy, President, Tech Expo, Holiday Inn, Emeryville, CA, Oct. 26, 1983

  • Super Lucy, Chapter 15: I Really Like Niagara Falls, S.F. Art Institute, S.F., CA, April 8, 1983; Ollies, Oakland, CA, May 13, 1983

  • Super Lucy, Chapter 11: Who's Up Next?, Lobby, SF Museum Of Modern Art, Nov. 6, 1982

  • Super Lucy, Chapter 6: Take it All Off, University Art Museum, Berkeley, CA, June 27, 1982

  • Super Lucy, Chapter 3: Oh Fuck not Again, Target Video, San Francisco, CA, April 10, 1982

  • The Big Zucchini, Chapter 12: What's That Noise?, La Mamelle, inc., Dec. 4,5, 1981

RECENT LECTURES, PANELS

  • Guest writer, empyre, December, 2003 - January 2004.

  • Innovators in New Media, Lecture, San Jose State, February, 2003.

  • Writers Looking Ahead, State of the Arts, A Sympsium on Electronic Literature, UCLA, Los Angeles, CA, April, 2002 Moderator: Marjorie Luesebrink; Panelists: Stuart Moulthrop, Caitlin Fisher, John Cayley, Talan Memmott, Rob Wittig, Judy Malloy

  • "A Round Table Discussion with Loss Pequeno Glazier; Judy Malloy, Johanna Drucker; and Mark Amerika" -- hosted by Jennifer Ley, in Lit [art] ure -- Something Old, Something New, Riding the Meridian, v. 2, 2000.

  • Producer/Moderator, "Gender Identity in New Media", online panel associated with Invencao, held in Brazil, Summer 1999. Gender & Identity in New Media

  • Panelist, Beyond Computers - program on Electronic Literature, National Public Radio (NPR), April 1998

    Jury (Web Art Works), SIGGRAPH 1998

  • (Virtual) Visiting Artist, Hypertext Poetry, The New School, NYC, Oct. 14-19, 1997.

  • Panelist, Web Freedom Day, San Francisco Art Institute, Nov. 2. 1996

  • Panelist, the PAIR Program, San Jose Museum of Art, Oct. 1996

  • Guest Lecturer, "Words on the Internet", CALIFORNIA COLLEGE OF ARTS AND CRAFTS, Feb.28, 1996, April 1998

  • Guest Lecturer, "Art and Telecommunications", SAN FRANCISCO STATE UNIVERSITY, Sept. 19, 1991, Sept 21, 1993, Sept. 17, 1996

  • "Forward Anywhere", The Effect of Technology on Art, UC DAVIS, April 24, 1995

  • "Brown House Kitchen, A Narrative in LambdaMoo", XEROX PARC CORPORATION, May 24, 1995

  • "A Day on the Internet", Multimedia Panel, THE AUTHOR'S GUILD, Palo Alto, Ca, March 24, 1995

  • "Computers and Text", Interactive art class, STANFORD UNIVERSITY, February 1, 1995

  • Virtual Lecture in Brown House Kitchen with the students of Tim Collins and Reiko Goto's art systems class at CARNEGIE MELLON UNIVERSITY, Dec. 6, 1994

  • Hypertext (POETRY CENTER WRITING AND COMMUNITY SERIES), S.F. Public Library, Park Branch, May 12, 1994

  • Art on the Internet, INSTITUTE FOR ADVANCED STUDIES IN THE ARTS, Arizona State University, Tempe, AZ, April 23, 1994.

  • PUBLIC ACCESS TO THE INTERNET, Maricopa County Supervisors Auditorium, Phoenix, AZ, January 18, 1994

  • Workshop Coordinator, Electronic Publishing, Tele-Community, IDEAS FESTIVAL, Telluride, CO, July 23-25, 1993

  • Panel Member, Artist on the Net, COMPUTERS, FREEDOM & PRIVACY, Burlingame, CA, March 1993

  • Panel Member, "Hypertext/Hypermedia: Defining a Fictional Form", MODERN LANGUAGE ASSOCIATION, NYC, NY, Dec. 29, 1992.

  • Co-host, CULTURES IN CYBERSPACE, A Virtual Panel, THIRD INTERNATIONAL SYMPOSIUM ON ELECTRONIC ART, November 1992

  • Panel Member, "Computers, the Death of the Book?" NATIONAL BOOK ARTS CONFERENCE, Aug., 1991

  • Panel Member, "Towards the Art of the Next Century", ELECTRONIC NETWORKING ASSOCIATION, San Francisco, CA, May 24, 1990

  • Guest Lecturer, ACADEMY OF ART ("Art Since 1940"), San Francisco, CA, April 1988, April 1990

  • Panel Member, Art and Technology, RICHMOND ART CENTER, Richmond, CA, November 1989

  • Panel Member, "Art and Telecommunications," NATIONAL COMPUTER GRAPHICS ASSOCIATION '89, San Jose State University, San Jose, CA, June 10, 1989

ONLINE CONFERENCE GIGS
  • Producer/Moderator/Designer, GENID/NEME -- Gender & Identity in New Media, 1999-2000

  • Conference facilitator (consultant basis for Benton Foundation/NEA project - thru Arts Wire),Open Studio, The Arts Online, Summer, 1997

  • Conference Co-Host, The ARTISTS Conference on Arts Wire, 1997-2001

  • Conference Co-Host (with Anna Couey), Interactive Art Conference on Arts Wire, 1994-2001

  • Conference Co-host (with Arts Wire Staff), AWNEWS, AWHUB, 1994-2001

  • Conference Host and Founder, ARTS Conference, on the WELL, 1993 -1994

  • Conference Co-Host (with Howard Rheingold and Matisse Enzer), Telluride Community Conference, on the WELL, July 1993 - 1994