. . . . . . . . . . . . . . . . . . . . . . .
     .                                             .
    .  . . . . . . . . . . . . . . . . . . . .      .
   .  .                                       .      .
  .  .  . . . . . . . . . . . . . . . . . . .  .      .
 .  .  .                                     .  .      .
.  .  .  struggle for reduction               .  .      .
.  .  .  of emotinal            -#----\ /      .  .      .
.  .  .  wind resistance               |        .  .      .
.  .   .                               |         .  .      .
.  .    .                              |          .  .      .
.  .     .                             #           .  .      .
.  .      .                            |           .   .      .
.  .       .                   retreat into habit  .    .      .
.  .        .                  of conforming      .      .      .
.  .         .                 to a constantly   .        .      .
.  .          .                vibrating glow   .          .      .
.  .           .                               .           .       .
.  .            . . . . + . . . . . . . . . . .            .        .
.  .                    |                                  .         .
.   .                   #                                  .          .
.    .                  |                                  +-#----+    .
.     .                 |                                  .      |     .
.      .                \           utilitarian continent  .      |      .
.       .                --------#- is motioned aside     .       |       .
.        .              /                                .        |        .
.         .             |                               .         |         .
.          .            |                              .          |          .
.           .           #                             .           |          .
.            .          |                            .            |          .
.             .     climbers                        .             |          .
.              .    to the outpost                 .              |          .
.               .   of power                      .               |          .
.                .  close to the body            .                |          .
+-#-----\ /-----#-+                             .                 |          .
.        |         . . . . . . + . . . . . . . .                  |          .
.        |                     |                                  |          .
.        |                     #                                  |          .
.        |                     |                                  |          .
.        |                     |                                  |          .
.        |                     \                                  |          .
.        |                      --------------------------------#-+          .
.        |                     /                                  |          .
.        |                     |                                  |          .
.  +-----+                     |                                  |          .
.  |                           #                                  |          .
.  |                           |                                  |          .
.  |     . . . . . . . . . . . + . . . . . . . . . . . . . .      |          .
.  |    .                                                   .     |          .
.  |   .  sound                                              .    |          .
.  |   .  of the uniform -#----+--      hoping to ravage      .   |          .
.  |   .  as it walks          +-----#- the singing apparatus  .  |          .
.  |   .  by force                      of callow              .  |          .
 . |    .                               social exhilaration   .   |          .
  .|     .                                                   .    |          .
   |      . . . . . . . . . . . . . . . . . . . . . . . . . .     |          .
   |.                                                             #          .
   | .                                                            |          .
   |  .                                                  the myth is thrown  .
   |   .                                                 to straighten fear  .
   |    .                                                of empty           .
   |     .                                               circular roots    .
   |      .                                                               .
   |       . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
   |
   |
   |
   |
   |
   |                   . . . . . . . . . . . . . . . . . .
   |                  .                                   .
   |                 .  hunting the roar                   .
   +--------+------#-+  by captured mask                    .
            |        .  in advance             -#----\ /     .
            #        .  of individual strength        |       .
            |         .                               |        .
            |          .                              |         .
            |           .                             #          .
            |            .                            |           .
            |             .                    insurgency of sand  .
            |              .                   in bones            .
            |               .                  beneath the image  .
            |                .                                   .
            |                 . . . . . . . . . . . . . . . . . .
            |
            #
            |
  . . . . . + . . . . . . . . . . . . . . . . . . . . . . . .
 .                                                           .
.  dancing response  -#----+--      duration                  .
.  is ephemeral walk       +-----#- is a grievously sidelong  .
 .                                  sitting time             .
  .                                                         .
   . . . . . . . . . . . . . . . . . . . . . . . . . . . . .